Anna Lundh is a visual artist based in Stockholm, Sweden. Lundh’s research-based work investigates cultural phenomena and societal agreements, often dealing with the subject matters of time and temporality and our relationship with technology. Lundh’s transdisciplinary practice includes video, site specific installation, web-based work, interactive experiments, text and lecture-performance. She holds an MFA from Konstfack, Stockholm, and has also studied at The Cooper Union School of Art, New York. Her work has been exhibited in Sweden at Moderna Museet, Bonniers Konsthall, Tensta Konsthall, Index Foundation, and GIBCA, to name a few; and internationally in Korea, Norway, Holland, Denmark, Latvia and the US – primarily in New York City art organisations including The New Museum, The Kitchen, ExitArt, Apexart, and Performa 13. Currently, Lundh is a PhD candidate in the program “Art, Technology and Design” at Konstfack University College of Arts, Crafts and Design, and KTH – Royal Institute of Technology, Stockholm.


Selected Exhibitions and Performances:


‘Q&Q-2022 – Questions Back to the Past or Further Forward in Time’, World Academic Forum, Konstfack University of Arts, Crafts and Design. Performance


‘E.A.T. in India: Julie Martin with Jared Bark and Anna Lundh’, NID Archives’ Public Programmes, National Institute of Design, Ahmedabad, India.


‘Unfolding Questions, Codes, and Contours’, Tromsø Kunstforening, Norway. Exhibition


‘Mud Muses, A Rant About Technology’, Moderna Museet, Stockholm, Sweden. Exhibition and Performance
‘Sick Fireflies and Lightnings in Jars’, Petach Tikva Museum of Art, Israel. Exhibition


‘E.A.T. (Experiments in Art and Technology): Open-ended’, MMCA, Museum of Modern and Contemporary Art, Seoul, Korea.
‘Visions of the Now’, T.E.I. Twelfth International Conference on Tangible, Embedded and Embodied Interactions, Royal Institute of Technology, Stockholm. Keynote Speaker. Lecture performance
‘What does artistic research do?’, Tensta Konsthall, Stockholm.
Nordic Summer University, Circle 7, Winter Symposium Riga 2018,’ReActivate, ReVisit’ Lecture performance
‘Works for Radio’, Cinamateket, Copenhagen, Denmark. Live premiere and radio broadcast


‘Performance: Anna Lundh, VISIONS OF THE NOW’, Index Foundation, Stockholm, Sweden. Lecture performance
‘Visions of the Now + 9 Evenings: Theatre and Engineering’, Fridman Gallery, New York. Lecture performance
‘Modernisten Blomdahl och Konstlivet’, Bonniers Konsthall, Stockholm, Sweden.  Lecture performance
‘Working Drawings and Other Visible Things on Paper Not Necessarily Meant To Be Viewed as Art (after Bochner)’, CAC Conceptual Art Center, Landskrona, Sweden. Exhibition


‘Celebrating Time: 3rd International Conference on Time Perspective’, Copenhagen, Denmark.
Lecture performance
‘Second Sunday’, Pioneer Works, Center for Art and Innovation, New York, USA.


‘A Story within a Story’, GIBCA – Göteborg International Biennial for Contemporary Art, Göteborg, Sweden. Exhibition
‘Working Drawings and Other Visible Things on Paper Not Necessarily Meant To Be Viewed as Art (after Bochner)’, CAC at Km of Sculpture, Võru, Estonia. Exhibition
‘Society Acts – Version 2. After Moderna Exhibition’, Kim?, Riga, Latvia. Exhibition


‘Akt II’, Moderna Museet, Malmö, Sweden.  Lecture performance
‘Soft Machines: Where the Optimized Human Meets Artificial Empathy’, Impakt Festival, Utrecht,
The Netherlands.  Lecture performance
‘The Moderna Exhibition 2014 – Society Acts’, Moderna Museet, Malmö, Sweden. Exhibition and Performance
‘ACTS Festival for Performative Art’, Museum for Contemporary Art, Roskilde, Denmark.  Lecture performance


‘Q&Q – 2022, Full Report’, Disjecta Contemporary Art Center, Portland, USA.  Lecture performance
‘Flag NYC’, Performa 13 biennial, New York, USA. Exhibition
‘Q&Q – 2022, Full Report’, Performa 13, New York, USA.  Lecture performance
‘Repris: TV time’, Tensta Konsthall, Sweden.  Lecture performance
‘The end of the world – or why the world won’t end’, Platform, Vasa, Finland.  Lecture performance
‘Repris: TV time’, Space, Tensta Konsthall, Sweden.  Solo exhibition
‘VISIONS OF THE NOW (Stockholm Festival for Art and Technology)’, Fylkingen, Stockholm, Sweden.
Initiator, director, participant
‘Q&Q – 2022’, Bonniers Konsthall, Stockholm.  Lecture performance


‘Q&Q 2022’, First Look: New Art Online, The New Museum, New York, USA.  Solo exhibition
‘JOUR FIXE’: Tv time and a new performance by Anna Lundh, Stockholm. Performance
‘Political is Collective – Factions’, Linköpings konsthall Passagen, Linköping. Exhibition
‘Matter Out of Place’, The Kitchen, New York, USA. Exhibition
‘Transforming function’, LMCC’s Arts Center at Governors Island, New York, USA. Exhibition
‘NYSPRÅK’, Slakthusateljéerna, Stockholm, Sweden. Exhibition
‘Q&Q 2022’, Rhizome/New Museum, New York, USA. Exhibition
‘Prune in the Sky’, Toves Galleri/Niels Bohr Institute, Copenhagen, Denmark.  Lecture performance
‘Collective/Performative’, Exit Art, New York, USA. Solo exhibition
‘Inverse Internet Operating Manual’, AMP, USA.Exhibition
‘Let us keep our own noon’, West Gallery, The Hague, The Netherlands. Exhibition
‘The Tale of the Big Computer’, Triple Canopy, New York, USA.  Lecture performance
‘Grey Zone’, Entrée, Bergen, Norway. Solo exhibition


NEW Years Eve (GMT –0:30)’, Evening Standard Series/Platform Stockholm, Sweden.  Solo exhibition
‘Slipstreams: Contemporary Artistic Practice and the Shaping of Time’, Franklin St Works, Stamford, USA.
‘Platform + SQUID-event’: text release + performance, KUNTSI Museum, Vaasa, Finland.
‘TETRAGRAM FOR GATHERING’, Detroit, Stockholm, Sweden. Exhibition
‘Anna Lundh: ON THE DOT’, Flux Factory, New York, USA.  Solo exhibition.


‘Cleopatra’s Presents’, Leo Koenig Projekte Inc, New York, USA.Exhibition
‘nu nu nu nu’, Haninge Konsthall, Sweden. Exhibition
‘Svensk Konceptkonst/Swedish Conceptual Art”, Kalmar Konstmuseum, Kalmar, Sweden. Exhibition


‘Conveyor Loop/Löpande Bandet’, Marian Spore, Industry City Art Project, New York, USA.  Solo Exhibition
‘Avant-Guide to NYC – Discovering Absence’, Apexart, New York, USA.
‘Eternal Return’, Magasinet, Falun, Sweden.Exhibition
‘NO SOUL FOR SALE’, Rhizome at the New Museum, X-Initiative, New York, USA. Exhibition
‘ArcheTime’, Cross-Disciplinary Conference and Exhibition on Time, New York, USA.
‘Open Studio Weekend’ LMCC Workspace Residency Program, New York, USA.


‘Tipsa en vän/Tell a Friend’, Bonniers Konsthall, Stockholm, Sweden. Exhibition
‘Vårutställningen/Spring Exhibition’, final MFA show, Konstfack, Stockholm, Sweden. Exhibition
‘HEXA_FLEXAGON_F_EVER’, Solo MFA show, Konstfack, Stockholm, Sweden. Exhibition


‘Östgöte eller ej?’, Norrköpings Konstmuseum, Norrköping, Sweden. Exhibition
‘DNA 2005’, So Stockholm, (Winner of “Diesel New Art 2005”), Stockholm, Sweden. Exhibition
‘Mickey’s Trailer’, Special exhibitions/projects, Stockholm Art fair, Stockholm, Sweden. Exhibition
‘Art and Science’, Konserthuset, Stockholm, Sweden. Exhibition

Selected Education:

2015 – PhD candidate, Konstfack/KTH, Stockholm, Sweden.
2005 – 2008MFA, Fine Art, Konstfack, Stockholm, Sweden.
2002 – 2003BFA program, Fine Art, The Cooper Union, New York, USA.
2001 – 2004BFA, GD&I, Konstfack, Stockholm, Sweden.
2000 – 2001Beckmans School of Design, Graphic design.
2000 – 2001Film studies, Stockholm University, Stockholm, Sweden.
1999 – 2000Atelier de Sèvres, École préparatoire de l’Art, Paris, France.
1998 – 1999Francais, Université de la Sorbonne, Paris, France

Selected Residencies and Grants:

2016Artist in Residence, Pioneer Works, New York.
2014Arbetsstipendium, Swedish Visual Arts fund.
2014FAIR Residency, Fabrikken, Copenhagen, Denmark.
2013Project Grant, Swedish Arts Grants Committee.
2013Project Grant, Stockholm Stad.
2013Project Grant, Musikverket, Stockholm.
2012‘Mejan Residents’, Royal Institute of Art, Stockholm.
2011Nordic Culture Point, Mobility funding.
2011Iaspis, international cultural exchange.
2011Innovativ Kultur, development grant.
2012Project grant, Swedish Visual Arts Fund.
2012Arbetsstipendium, Swedish Visual Arts fund.
2010Flux Factory Artist Residency, New York.
2010Art OMI International Artist Residency, Ghent, USA.
2009KU/Artistic Research project, Konstfack, Stockholm.
2009School of Visual Arts Visiting Artist Award, New York, USA.
2008Lower Manhattan Cultural Council Workspace Residency, New York.
2008The Art Academy graduation grant.
2008Helge Axson Johnssons grant.
2008Fredrika Bremers scholarship.
2006‘Assistant grant’, Swedish Visual Arts fund.
2012The Konstfack Dean grant.

Selected Bibliography:

’Visions of the Now – Stockholm Festival for Art and Technology’, artist book/archive, Sternberg Press, 2017.
BOMB magazine – Artists in conversation, Repris: TV Time, Sept 2014.
Kulturnytt: Modernautställningen blickar bakåt, Sept 2014
Review, ”Modernautställningen 2014 – Society acts”, Dagens Nyheter, Sept 2014.
‘Anna Lundh: Miss Clock (The Year is a Python)’, Sept 2014
Kunstkritikk, ‘Farvel til Orange Scene’, June 25, 2014.
CoCain…, March 2014.
Frieze Magazine, Dec 2013.
Wired Magazine, Dec 2013.
Visions of the Now, publication, 2013.
Art Papers, March/April 2012.
‘Artist Profile: Anna Lundh’, Rhizome, Dec 5, 2011.
SQUID text release, Sept 2011.
Rhizome Editorial, ‘The Tale of the Big Computer’, Aug 11, 2011.
Triple Canopy text release, Aug 2011.
SQUID text release, June 2010.
‘Svensk Konceptkonst på Kalmar Konstmuseum’, Dagens Nyheter, Sept 2010.
Art Review, April 2010.
Rhizome at the New Museum, Editorial, March 23, 2009.
Svd, May 10 2008.
Livraison no 2, Exchange issue 2006/2007.
DN Kultur, June 7, 2006.
BANG feministisk kulturtidskrift nr 4, 2005.
FORUM nr 3, 2005.
DN Kultur, November 13, 2005, Kultur.
ReadyMade Magazine Oct/Nov 2005 /