Anna Lundh is a visual artist based in Stockholm / New York. She holds an MFA from Konstfack University College of Arts, Crafts and Design, Stockholm, and she also studied Fine Arts at The Cooper Union for the Advancement of Science and Art in New York. Lundh’s research based work investigates phenomena such as social agreements, aspects of time, language and technology, and it frequently involves exchange with other people and professionals also beyond the art field. This transdisciplinary work includes video, site specific installation, web-based work, interactive experiments, text and performance. Currently Lundh is a PhD candidate in the program Art, Technology and Design, at Konstfack University College of Arts and KTH – Royal Institute of Technology, Stockholm.


Selected Exhibitions and Performances:


‘Working Drawings and Other Visible Things on Paper Not Necessarily Meant To Be Viewed as Art (after Bochner)’, CAC Conceptual Art Center, Landskrona, Sweden.


‘The Year is a Python that swallowed an Elephant’ (lecture-performance), Celebrating Time: 3rd International Conference on Time Perspective, Copenhagen, Denmark.


‘A Story within a Story’, GIBCA – Göteborg International Biennial for Contemporary Art, Göteborg, Sweden.
‘Working Drawings and Other Visible Things on Paper Not Necessarily Meant To Be Viewed as Art (after Bochner)’, CAC at Km of Sculpture, Võru, Estonia.
‘Society Acts – Version 2. After Moderna Exhibition’, Kim?, Riga, Latvia.


‘Akt II’ (Performance), Moderna Museet, Malmö.
‘Soft Machines: Where the Optimized Human Meets Artificial Empathy’, Impakt Festival, Utrecht.
‘The Moderna Exhibition 2014 – Society Acts’, Moderna Museet, Malmö.
‘ACTS Festival for Performative Art’, Museum for Contemporary Art, Roskilde.


‘Q&Q – 2022, Full Report’, Disjecta Contemporary Art Center, Portland, USA.
‘Flag NYC’, Performa 13 biennial, New York, USA.
‘Q&Q – 2022, Full Report’, Performa 13, New York, USA.
‘Repris: TV time’, Tensta Konsthall, Sweden.
‘The end of the world – or why the world won’t end’, Platform, Vasa, Finland.
‘Repris: TV time’, Space, Tensta Konsthall, Sweden.
‘VISIONS OF THE NOW (Stockholm Festival for Art and Technology)’, Stockholm, Sweden.
‘Q&Q – 2022′, Bonniers Konsthall, Stockholm.


‘Q&Q 2022′, First Look: New Art Online, The New Museum, New York, USA.
‘JOUR FIXE': Tv time and a new performance by Anna Lundh, Stockholm.
‘Political is Collective – Factions’, Linköpings konsthall Passagen, Linköping.
‘Matter Out of Place’, The Kitchen, New York, USA.
‘Transforming function’, LMCC’s Arts Center at Governors Island, New York, USA.
‘NYSPRÅK’, Slakthusateljéerna, Stockholm, Sweden.
‘Q&Q 2022′, Rhizome/New Museum, New York, USA.
‘Prune in the Sky’, Toves Galleri/Niels Bohr Institute, Copenhagen, Denmark.
‘Collective/Performative’, Exit Art, New York, USA.
‘Inverse Internet Operating Manual’, AMP, USA.
‘Let us keep our own noon’, West Gallery, The Hague, The Netherlands.
‘The Tale of the Big Computer’, Triple Canopy, New York, USA.
‘Grey Zone’, Entrée, Bergen, Norway. solo exhibition.


NEW Years Eve (GMT –0:30)’, Evening Standard Series/Platform Stockholm, Sweden. solo exhibition.
‘Slipstreams: Contemporary Artistic Practice and the Shaping of Time’, Franklin St Works, Stamford, USA.
‘Platform + SQUID-event': text release + performance, KUNTSI Museum, Vaasa, Finland.
‘TETRAGRAM FOR GATHERING’, Detroit, Stockholm, Sweden.
‘Anna Lundh: ON THE DOT’, Flux Factory, New York, USA. solo exhibition.


‘Cleopatra’s Presents’, Leo Koenig Projekte Inc, New York, USA.
‘nu nu nu nu’, Haninge Konsthall, Sweden.
‘Svensk Konceptkonst/Swedish Conceptual Art”, Kalmar Konstmuseum, Kalmar, Sweden.


‘Conveyor Loop/Löpande Bandet’, Marian Spore, Industry City Art Project, New York, USA.
‘Avant-Guide to NYC – Discovering Absence’, Apexart, New York, USA.
‘Eternal Return’, Magasinet, Falun, Sweden.
‘NO SOUL FOR SALE’, Rhizome at the New Museum, X-Initiative, New York, USA.
‘ArcheTime’, Cross-Disciplinary Conference and Exhibition on Time, New York, USA.
‘Open Studio Weekend’ LMCC Workspace Residency Program, New York, USA.


‘Tipsa en vän/Tell a Friend’, Bonniers Konsthall, Stockholm, Sweden.
‘Vårutställningen/Spring Exhibition’, final MFA show, Konstfack, Stockholm, Sweden.
‘HEXA_FLEXAGON_F_EVER’, Solo MFA show, Konstfack, Stockholm, Sweden.


‘Östgöte eller ej?’, Norrköpings Konstmuseum, Norrköping, Sweden.
‘DNA 2005′, So Stockholm, (Winner of “Diesel New Art 2005”), Stockholm, Sweden.
‘Mickey’s Trailer’, Special exhibitions/projects, Stockholm Art fair, Stockholm, Sweden.
‘Art and Science’, Konserthuset, Stockholm, Sweden.

Selected Education:

2015 – 2020PhD candidate, Konstfack/KTH, Stockholm, Sweden.
2005 – 2008MFA, Fine Art, Konstfack, Stockholm, Sweden.
2002 – 2003BFA program, Fine Art, The Cooper Union, New York, USA.
2001 – 2004BFA, GD&I, Konstfack, Stockholm, Sweden.
2000 – 2001Beckmans School of Design, Graphic design.
2000 – 2001Film studies, Stockholm University, Stockholm, Sweden.
1999 – 2000Atelier de Sèvres, École préparatoire de l’Art, Paris, France.
1998 – 1999Francais, Université de la Sorbonne, Paris, France

Selected Residencies and Grants:

2016Artist in Residence, Pioneer Works, New York.
2014Arbetsstipendium, Swedish Visual Arts fund.
2014FAIR Residency, Fabrikken, Copenhagen, Denmark.
2013Project Grant, Swedish Arts Grants Committee.
2013Project Grant, Stockholm Stad.
2013Project Grant, Musikverket, Stockholm.
2012‘Mejan Residents’, Royal Institute of Art, Stockholm.
2011Nordic Culture Point, Mobility funding.
2011Iaspis, international cultural exchange.
2011Innovativ Kultur, development grant.
2012Project grant, Swedish Visual Arts Fund.
2012Arbetsstipendium, Swedish Visual Arts fund.
2010Flux Factory Artist Residency, New York.
2010Art OMI International Artist Residency, Ghent, USA.
2009KU/Artistic Research project, Konstfack, Stockholm.
2009School of Visual Arts Visiting Artist Award, New York, USA.
2008Lower Manhattan Cultural Council Workspace Residency, New York.
2008The Art Academy graduation grant.
2008Helge Axson Johnssons grant.
2008Fredrika Bremers scholarship.
2006‘Assistant grant’, Swedish Visual Arts fund.
2012The Konstfack Dean grant.

Selected Bibliography:

BOMB magazine – Artists in conversation, Repris: TV Time, Sept 2014.
Kulturnytt: Modernautställningen blickar bakåt, Sept 2014
Review, ”Modernautställningen 2014 – Society acts”, Dagens Nyheter, Sept 2014.
‘Anna Lundh: Miss Clock (The Year is a Python)’, Sept 2014
Kunstkritikk, ‘Farvel til Orange Scene’, June 25, 2014.
CoCain…, March 2014.
Frieze Magazine, Dec 2013.
Wired Magazine, Dec 2013.
Visions of the Now, publication, 2013.
Art Papers, March/April 2012.
‘Artist Profile: Anna Lundh’, Rhizome, Dec 5, 2011.
SQUID text release, Sept 2011.
Rhizome Editorial, ‘The Tale of the Big Computer’, Aug 11, 2011.
Triple Canopy text release, Aug 2011.
SQUID text release, June 2010.
‘Svensk Konceptkonst på Kalmar Konstmuseum’, Dagens Nyheter, Sept 2010.
Art Review, April 2010.
Rhizome at the New Museum, Editorial, March 23, 2009.
Svd, May 10 2008.
Livraison no 2, Exchange issue 2006/2007.
DN Kultur, June 7, 2006.
BANG feministisk kulturtidskrift nr 4, 2005.
FORUM nr 3, 2005.
DN Kultur, November 13, 2005, Kultur.
ReadyMade Magazine Oct/Nov 2005 /